Rock music lives in its clubs, bars and taverns. Anyone who has been to an “underground” gig can attest to that. There’s something about having a few hundred people tapping their feet to gravelling distorted sounds originating from an amplifier helped by a microphone, sounds that a little bar couldn’t possibly contain for any longer than an album or two; something about the dim, neon lights and black ceilings and dark walls; something about being so close to the ones trying to explain the inner workings of their minds on a little raised platform we call the stage, as they belt their hearts out, vocally, instrumentally; expressively. To anyone decrying the death and decline of rock music, a peek into its true dwellings would prove educational.
On Thursday, 24th October, Toronto-based alt rock band Goodbye Honolulu decided to give a demonstration worthy of representing the 2019 rock music scene as they opened their Fall 2019 tour at the Mansion in Kingston, ON.
They were joined in their endeavour by Gananoque punk rockers Figure-8, who opened the gig with a burst of energy, rocking out to a sum total of ten people as the sparse crowd got moving to fast paced, upbeat songs about growing up, tinged with a hint of Green Day’s 1994 hit Dookie.
Following them were fellow Toronto indie rockers Fade Awaays, a band with a sound bigger than the venue they filled tonight, with a tight, layered wall of sound emanating from the two guitars on-stage, occasionally doubling the rhythm section to form a formidable wall of sound. (For a band that only released their first EP this January, they have some surprisingly heavy weight behind them, having opened for alt rockstars Wolf Alice and up-and-coming Canadian rockers the Beaches.)
Goodbye Honolulu, who had been in the crowd for most of their supports’ sets, came on stage to a well warmed and receptive audience. This band packs fully formed chord progressions and rock riffs into a neat, loud singable pop package that makes their songs so memorable. Their on-stage personality is dynamic, and guitars and basses are frequently swapped onstage as they rip through their long setlist.
Tonight, the band gave the crowd many songs off their yet-unreleased album, a little dose of their own political opinions, in light of Canada’s just concluded federal election (“fuck Andrew Scheer! Fuck Andrew Scheer!”), many little exchanges with the audience, and on popular demand, crowd favourite single “Typical”.
I saw Goodbye Honolulu live at the Phoenix Concert Theatre in Toronto six months ago supporting Californian punk rockers SWMRS, and had thought them to be a very well organised act. This time around, in, if possible, an even more intimate setting than Toronto’s iconic club venue, the band let loose the raw energy of a band rearing to take on the notions of what it means to be a rock band as they embark on their latest tour.
Find all three bands on their respective websites (or better yet, at a North American live venue near you!)